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		<title>Ex Confusion : I Remember When</title>
		<link>https://etherreal.com/spip.php?article6020</link>
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		<dc:date>2019-05-13T16:26:04Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Fran&#231;ois Bousquet</dc:creator>


		<dc:subject>Import</dc:subject>
		<dc:subject>n5MD</dc:subject>
		<dc:subject>11111000</dc:subject>
		<dc:subject>Electronique</dc:subject>
		<dc:subject>Ambient</dc:subject>
		<dc:subject>Ex Confusion</dc:subject>

		<description>
&lt;p&gt;Retrouver, un peu moins de six ans apr&#232;s With Love, l'ambient d'Ex Confusion, c'est savoir qu'on va &#234;tre face &#224; un disque de bonne facture, mais ne venant pas forc&#233;ment bousculer les certitudes en la mati&#232;re. De fait, une nouvelle fois, le Japonais empile deux ou trois couches de synth&#233;, jouant sur les variations d'intensit&#233; et le caract&#232;re lumineux qu'apporte cette concordance de notes. Au-del&#224; de ce mat&#233;riau tr&#232;s caract&#233;ristique de ce registre, on recherche ce qu'Ex Confusion pourrait (&#8230;)&lt;/p&gt;


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&lt;a href="https://etherreal.com/spip.php?mot2765" rel="tag"&gt;Electronique&lt;/a&gt;, 
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&lt;a href="https://etherreal.com/spip.php?mot4717" rel="tag"&gt;Ex Confusion&lt;/a&gt;

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		<title>Absent Without Leave : Faded Photographs Remixes</title>
		<link>https://etherreal.com/spip.php?article5250</link>
		<guid isPermaLink="true">https://etherreal.com/spip.php?article5250</guid>
		<dc:date>2015-12-08T17:58:16Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Fabrice ALLARD</dc:creator>


		<dc:subject>Aerosol</dc:subject>
		<dc:subject>Landing</dc:subject>
		<dc:subject>Absent Without Leave</dc:subject>
		<dc:subject>Ruxpin</dc:subject>
		<dc:subject>Internet</dc:subject>
		<dc:subject>sound in silence</dc:subject>
		<dc:subject>11111000</dc:subject>
		<dc:subject>Arc Lab</dc:subject>
		<dc:subject>Rock</dc:subject>
		<dc:subject>Ambient</dc:subject>
		<dc:subject>Electronica</dc:subject>
		<dc:subject>Post-Rock</dc:subject>
		<dc:subject>Shoegazing</dc:subject>
		<dc:subject>SubtractiveLAD</dc:subject>
		<dc:subject>Plastik Joy</dc:subject>
		<dc:subject>Olan Mill</dc:subject>
		<dc:subject>Dalot</dc:subject>
		<dc:subject>Kontakte</dc:subject>
		<dc:subject>To Destroy A City</dc:subject>
		<dc:subject>Eleventhfloorrecords</dc:subject>
		<dc:subject>Dreissk</dc:subject>
		<dc:subject>Mark Harris</dc:subject>
		<dc:subject>Ex Confusion</dc:subject>
		<dc:subject>(ghost)</dc:subject>
		<dc:subject>Crisopa</dc:subject>

		<description>
&lt;p&gt;C'est en 2010 que Absent Without Leave sortait l'album Faded Photographs, marqu&#233; par une multitude de collaborations (voir notre chronique). Trois ans plus tard George Mastrokostas revient sur son album en multipliant plus encore les croisements puisque ce sont 28 remixes qui nous sont ici offerts, avec aux manettes la quasi int&#233;gralit&#233; des artistes n5MD, des plus anciens comme Keef Baker (maintenant sign&#233; chez Hymen Records) aux plus r&#233;cents tels que (ghost), Crisopa, ou encore Aerosol. (&#8230;)&lt;/p&gt;


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&lt;a href="https://etherreal.com/spip.php?mot1957" rel="tag"&gt;Ruxpin&lt;/a&gt;, 
&lt;a href="https://etherreal.com/spip.php?mot1989" rel="tag"&gt;Internet&lt;/a&gt;, 
&lt;a href="https://etherreal.com/spip.php?mot2401" rel="tag"&gt;sound in silence&lt;/a&gt;, 
&lt;a href="https://etherreal.com/spip.php?mot2407" rel="tag"&gt;11111000&lt;/a&gt;, 
&lt;a href="https://etherreal.com/spip.php?mot2583" rel="tag"&gt;Arc Lab&lt;/a&gt;, 
&lt;a href="https://etherreal.com/spip.php?mot2767" rel="tag"&gt;Rock&lt;/a&gt;, 
&lt;a href="https://etherreal.com/spip.php?mot2769" rel="tag"&gt;Ambient&lt;/a&gt;, 
&lt;a href="https://etherreal.com/spip.php?mot2777" rel="tag"&gt;Electronica&lt;/a&gt;, 
&lt;a href="https://etherreal.com/spip.php?mot2797" rel="tag"&gt;Post-Rock&lt;/a&gt;, 
&lt;a href="https://etherreal.com/spip.php?mot2799" rel="tag"&gt;Shoegazing&lt;/a&gt;, 
&lt;a href="https://etherreal.com/spip.php?mot3073" rel="tag"&gt;SubtractiveLAD&lt;/a&gt;, 
&lt;a href="https://etherreal.com/spip.php?mot3635" rel="tag"&gt;Plastik Joy&lt;/a&gt;, 
&lt;a href="https://etherreal.com/spip.php?mot4154" rel="tag"&gt;Olan Mill&lt;/a&gt;, 
&lt;a href="https://etherreal.com/spip.php?mot4233" rel="tag"&gt;Dalot&lt;/a&gt;, 
&lt;a href="https://etherreal.com/spip.php?mot4419" rel="tag"&gt;Kontakte&lt;/a&gt;, 
&lt;a href="https://etherreal.com/spip.php?mot4578" rel="tag"&gt;To Destroy A City&lt;/a&gt;, 
&lt;a href="https://etherreal.com/spip.php?mot4601" rel="tag"&gt;Eleventhfloorrecords&lt;/a&gt;, 
&lt;a href="https://etherreal.com/spip.php?mot4615" rel="tag"&gt;Dreissk&lt;/a&gt;, 
&lt;a href="https://etherreal.com/spip.php?mot4659" rel="tag"&gt;Mark Harris&lt;/a&gt;, 
&lt;a href="https://etherreal.com/spip.php?mot4717" rel="tag"&gt;Ex Confusion&lt;/a&gt;, 
&lt;a href="https://etherreal.com/spip.php?mot4931" rel="tag"&gt;(ghost)&lt;/a&gt;, 
&lt;a href="https://etherreal.com/spip.php?mot5243" rel="tag"&gt;Crisopa&lt;/a&gt;

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<item xml:lang="fr">
		
		
		<title>Ex Confusion : With Love</title>
		<link>https://etherreal.com/spip.php?article4714</link>
		<guid isPermaLink="true">https://etherreal.com/spip.php?article4714</guid>
		<dc:date>2013-10-03T10:26:41Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Fran&#231;ois Bousquet</dc:creator>


		<dc:subject>Import</dc:subject>
		<dc:subject>n5MD</dc:subject>
		<dc:subject>11111000</dc:subject>
		<dc:subject>Electronique</dc:subject>
		<dc:subject>Ambient</dc:subject>
		<dc:subject>Ex Confusion</dc:subject>

		<description>
&lt;p&gt;Une quinzaine de mois apr&#232;s Embrace, Ex Confusion se trouve toujours sign&#233; sur n5MD pour son nouvel effort, le troisi&#232;me en tout, sur lequel le Japonais continue de proposer une ambient lumineuse. R&#233;alis&#233;e avec relativement peu de moyens (superposition de deux pistes de synth&#233;) qui conduit l'auditeur &#224; pousser un peu plus qu'&#224; l'ordinaire le volume de son appareil de diffusion, la musique d'Ex Confusion en tire une dimension particuli&#232;rement &#233;tincelante, comme si chaque nappe scintillait par (&#8230;)&lt;/p&gt;


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&lt;a href="https://etherreal.com/spip.php?mot2407" rel="tag"&gt;11111000&lt;/a&gt;, 
&lt;a href="https://etherreal.com/spip.php?mot2765" rel="tag"&gt;Electronique&lt;/a&gt;, 
&lt;a href="https://etherreal.com/spip.php?mot2769" rel="tag"&gt;Ambient&lt;/a&gt;, 
&lt;a href="https://etherreal.com/spip.php?mot4717" rel="tag"&gt;Ex Confusion&lt;/a&gt;

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<item xml:lang="fr">
		
		
		<title>Ex Confusion : Embrace</title>
		<link>https://etherreal.com/spip.php?article4400</link>
		<guid isPermaLink="true">https://etherreal.com/spip.php?article4400</guid>
		<dc:date>2012-06-26T19:18:13Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Fran&#231;ois Bousquet</dc:creator>


		<dc:subject>Import</dc:subject>
		<dc:subject>n5MD</dc:subject>
		<dc:subject>11111110</dc:subject>
		<dc:subject>Electronique</dc:subject>
		<dc:subject>Ambient</dc:subject>
		<dc:subject>Ex Confusion</dc:subject>

		<description>
&lt;p&gt;Apr&#232;s un album en CDr sur la structure d&#233;di&#233;e d'U-Cover et quelques EP, &#233;galement en CDr, sur de micro-labels, Ex Confusion acc&#232;de, avec cette signature sur n5MD pour un long-format &#224; la plus large diffusion, &#224; une reconnaissance plus ample. &#192; l'&#233;coute de cet Embrace, celle-ci semble tout &#224; fait m&#233;rit&#233;e, l'ambient lumineuse du Japonais se fait particuli&#232;rement convaincante, qu'elle soit uniquement constitu&#233;e de superpositions de nappes ou qu'elle fasse intervenir un clavier (If There Is (&#8230;)&lt;/p&gt;


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&lt;a href="https://etherreal.com/spip.php?mot4717" rel="tag"&gt;Ex Confusion&lt;/a&gt;

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